The music on the album could not have come from anyone other than the Aphex Twin, and in that sense

In the past two years have been years of large kombakka; Daft Punk, David Bowie, thun Boards of Canada, Mazzy Star, The Knife and My Bloody Valentine have released albums for many years or even decades of silence. It lies directly with the champion of the so-called intellectual raftónlistar (IDM), Richard D. James, or Aphex Twin, is inserted in this beautiful class with his first real album since Drukqs came out in 2001. He was extremely productive in the 10th decade of jafnfær thun Marvelous Melodies beautiful and chaotic ing line speculations and noise art.
On Syros is the melodic side of Aphex Twin, which shines through despite the aesthetic of the album would be considered traditional late. In the beginning of the song mini pops 67, which was also the first single, can be heard níðþungan and complex rhythm mixed with eerie voices, distorted piano chords and a beautiful synþahljóð the soup could not have been served by anyone other than the com-area itself. It's like Alberto Balsam, windowlicker and Iz-Uz at just the right moment ratios.
Aphex shakes's hands plethora of melody on the album; melodies and riffs as inconsequential artists were based entirely on the songs, slaps him five or six in one and the same song. Often sub, central and the Melodies running at the same time. Bassa-, intermediate and high frequency thun branches dancing circles around each other, and notes and rhythmic beats bounce each other. Demons on the album cover completely from the right hip hop-i to thrilling drum 'n' bass, and there are always flickering varíasjónir thun in rhythm and unexpected characters, a kind of improvisation taught djazz approach the drum programming.
Produk 29 [101] is hægfljótandi ambient hip hop reminiscent considerably Scottish learn his friendly Boards of Canada but just complicated and section ship Registrar. Around the middle of the plate in CIRCLONT6A increases the tempo so in more than 140 beats per minute of a song that manages to be melancholy and playful at the same time but mainly on constant motion. thun So over a lot of melody, rhythm changes and sounds thun that I had to listen to it right back to try to intake herlegheitin. This can include hearing biased satanic voices and synþasánd that sounds like I would imagine robot farting.
The title song is so dirty funky synth that sounds like a bass line from Rick James layer filtered through countless hosts of Aphex studio. s950tx16wasr10 is extreme fast Drum'n'Bass piece where he grabs traustataki good old Amen-Bite and stretches it and turns in all possible directions. He calms the audience down to the last song is subtle neoclassical works in the spirit of Philip Glass, a golden minimalistic piano motif accompanied by birdsong.
There is some happy spirit Quirky joy and gredda which hovers over the waters of the disc, one gets the sense Aphex enjoy the fingertips to return from exile-be this time. Towering over the plate face Richard D. James, grinning up to his ears as prakkarinn he is, say with expression: "Hana, I stock this stöffi thun been very pleased thun with what I put in you."
The music on the album could not have come from anyone other than the Aphex Twin, and in that sense no radical style change from his previous material but more útpæld distillation of the accessible part of his earlier works. But the style is the radical and unique that no one has been able to imitate it was perhaps the only radical Richard D. James could do in this situation to make the usual music. Nobody likes to be, and I ask Aphex Twin welcome thun back. It's thun nice to come home to daddy.
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